From the Editor

by Craig Stark

5 December 2025


By Craig Stark

If I had to name the two most common assumptions booksellers make that so often lead to underwhelming outcomes, they would be:

1. Either assuming that buyers will already know the importance or value of what you're attempting to sell them or …

2. Failing that, buyers will magically do their own research to see if there is any reason to spend money on what you're selling.

In the instance of high demand and/or rare books, booksellers can sometimes get away with making these assumptions and still realize a good outcome. Sadly, more often than not, they don't. And one of the most punitive mistakes a bookseller can make is to, as the saying goes, "just throw it out there and let the market decide what it's worth," conveniently forgetting that the market isn't always sitting in front of it at the right time. There are innumerable venues to sell books in, each with its own audience, admittedly sometimes overlapping, but nevertheless always at least somewhat limited.

If you've ever read a catalogue issued by a major auction house offering important books, there are typically detailed textual descriptions of auction lots in them, sometimes excruciatingly detailed, and an exceptionally clear photo of each book, sometimes several photos. If the lots are intuitively grouped by genre, topic, collector, whatever, there is often front matter by way of an essay-length introduction. And of course the catalog itself is professionally bound and printed on high quality paper, with expectations for it hanging around after the auction is history. In other words, a lot of effort has been expended on the sales pitches by known experts in their respective fields.

It doesn't stop there. If these experts have been around the block once or twice, many contacts of prospective buyers have been compiled and they are alerted to the upcoming sales. And don't forget that there is often much work accomplished in consigning items in the first place. This adds up to >>>

Effort, effort, effort.

And the results? Most often the highest possible outcomes.

If you haven't already noticed, much of what's happening in today's bookselling arena has a diametrically different approach. You could call it "efficiency," that is, expending as little effort as possible to achieve as much sales velocity and volume as possible. The word "efficiency" has a generally favorable connotation, but it's also a word I'd be hesitant to use in this context. There are words that are perhaps more descriptive and not always as favorably connotative: flipping, book jacking, side-hustling, to name a few. This approach often has much to do with physical effort, scanning tools, etc., not the more traditional hard-won scholarly approach, and if there's one thing that militates against a long-term career in bookselling, it's this - and by far the most common reason for burnout, though fast on its heels would be inventory sourcing drying up. Many stand in line for the appetizers anyway, maybe drink a glass of wine or two, but few sit down at the table for the main course.

Today's feature article resumes my "Where Love Has Gone" series with a second case study. If there's enough interest in these case studies, I'll do a few more. Let me know.

Finally, a reference package you might be interested in: a complete set of 59 issues of BookThink's Gold Edition. For those of you unfamiliar with this, it's essentially a broad spectrum of articles on bookselling topics that can elevate your success as a bookseller. Here's the list.

Gold Edition Table of Contents

1: A Matter of Pride: What's Hot and What's Not in Fraternity and Sorority Books
2: How to Identify Hot Niche Markets: The Holy Grail of Bookselling?
3: Slumming It in Bookland: Slumlord Profits on Time-Life Books
4: What's Hot and What's Not in Encyclopedias
5: Super Niche: Profiting from the Arts & Crafts Movement
6: Profiting from the Fabulous 50's
7: Vintage Mass Market Paperback Cover Art
8: Golden Guides: Big Profits in Little Packages
9: Pure Profit in Impure Places: Banking Big Money on Banned Books
10: Common Magazines, Uncommon Profits: Part I: The Basics
11: Common Magazines, Uncommon Profits: Part II: Flashpoints
12: Bible Mania
13: How to Buy Inventory Online: Part I: Introduction, Overview, etc.
14: How to Buy Inventory Online: Part II: How to Build and Use Search Strings, etc.
15: How to Buy Inventory Online: Part III: Miscellaneous Techniques, Sniping
16: How to Buy Inventory Online: Part IV: Other Online Sources
17: How to Buy & Sell Foreign Books
18: Big Money in Money Books: Part I: The Classics
19: Big Money in Money Books: Part II: Modern Titles
20: Big Money in Money Books: Part III: Real Estate Investment Books
21: The God Edition: Reselling Conservative Theology: Part I
22: The God Edition: Reselling Conservative Theology: Part II
23: How to Become a Full-Time Bookseller: Part I: The Importance of Book Lots
24: How to Become a Full-Time Bookseller: Part II: Grouping Books into Lots
25: How to Become a Full-Time Bookseller: Part III: Scouting Book How-to
26: How to Become a Full-Time Bookseller: Part IV: Inventory Outside the Box
27: How to Become a Full-Time Bookseller: Part V: Buying Book Collections
28: How to Become a Full-Time Bookseller: Part VI: How to Move Inventory
29: How to Become a Full-Time Bookseller: Part VII: Timely Tools of the Trade
30: How to Become a Full-Time Bookseller: Part VIII: The Moral Imperative
31: Buying and Selling School Yearbooks
32: How to Buy and Sell Photobooks: Part I: Introduction
33: How to Buy and Sell Photobooks: Part II: Photographer Flashpoints
34: How to Buy and Sell Photobooks: Part III: Photographer Flashpoints (second 25)
35: Bookselling on the Cutting Edge: Part I: Introduction to the Hot Book
36: Bookselling on the Cutting Edge: Part II: Britney Spears, etc.
37: Bookselling on the Cutting Edge: Part III: How To Mine Flashpoints
38: Bookselling on The Cutting Edge: Part IV: Flashpoints (Movies Based on Books)
39: How to Specialize in Bookselling: Part I: Why Specialize?
40: How to Specialize in Bookselling: Part II: Types of Specialties, Hypermoderns
41: How to Specialize in Bookselling: Part III: Types of Specialties, General Fiction
42: How to Specialize in Bookselling: Part IV: Types of Specialties, Mysteries
43: Mastering Bookselling: Is It Really What You Think It Is?
44: When "Bad" Books Are Good
45: Buying and Selling Hypermodern Signed First Editions
46: How to Establish a Trusted Internet Bookselling Presence: Part I
47: How to Establish a Trusted Internet Bookselling Presence: Part II
48: A Bookseller's Guide to Betty Crocker
49: A Primer on Buying and Selling English Language Dictionaries
50: How to Use Publisher's Back Lists for Arbitrage: Part I: Case Study #1
51: How to Use Publisher's Back Lists for Arbitrage: Part II: Case Study #2
52: How to Use Publisher's Back Lists for Arbitrage: Part III: Case Study #3
53: A Bookseller's Guide to Book Club Editions - 133 Profitable Book Club Editions
54: A Bookseller's Guide to Book Club Editions - Part II: The Book-of-the-Month Club
55: A Bookseller's Guide to Book Club Editions - Part III: BOMC High Spots
56: Buying and Selling Catalogs: Part I: Introduction and Department Store Catalogs
57: Buying and Selling Catalogs: Part II: Auction Catalogs
58: Buying and Selling Catalogs: Part III: Power Flashpoint Alert: Asbestos
59: How to Buy Inventory on craigslist

Since this was published over a span of years, at least a portion of its contents could benefit from some updating, but throughout the focus is on the durable principles of bookselling, which never go out of date. It's available in PDF format and will be sent to you as an email attachment for the sale price of $29.99. Buy it here.

If you're not sure this is the time to pull the trigger, I'll give you a one time opportunity to select any one of the below chapters as a free sample. Email me directly with the chapter number at editor@bookthink.com, and I'll send it to you as a PDF attachment. This offer will be open until the following newsletter is published. And, as always, is you'd like to purchase the Kitchen Sink (every premium report we've ever published), you can do that here.

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Questions or comments?
Contact the editor, Craig Stark
editor@bookthink.com

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